Latin fonts seek Arabic counterparts for an intimate design revolution.. Retrieved Nov 20 from https: For years, art directors, graphic designers and the writers and editors who occasionally poke their noses into the debate have been engaged in huge philosophical brawls over tiny technical details. For ages, they have been willing to throw down over the merits of serif versus sans-serif typefaces. For ages, they have been willing to throw down over the merits of serif versus sans-serif typefaces – whether or not letters should carry little decorative flourishes, or serifs, like the rightward kick on a lowercase a, the leftward angle on a lowercase d or the miniscule hat that caps a capital letter such as J. Some find serif typefaces timeless, elegant and easy on the eyes for sustained reading. Others find sans-serif typefaces fresher, breezier and more contemporary. One typeface designer says a serif font is a classy, well-dressed woman while a sans-serif font is a tragic fashion victim.
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The origin of the Arabic script goes back to the first alphabets which were created by the Phoenicians. The Phoenicians were living on the costal area of Lebanon, Palestine and Syria. Since the Phoenicians were business traders sailing the Mediterranean, the alphabet influenced all the Mediterranean nations. The location of the middle-east being in the center of the ancient world between the east and the west also played a part in the spreading of the alphabet. So that is why the Phoenician alphabet is the mother of the Latin as well as the Arabic script.
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Events Rob Keller sitting to my right in a Brno jazz bar. Photo by Martin T. The following article recaps the second half of the TypeTalks symposium, as well as some of the things that I saw and did over a two-day visit to Brno. What are the TypeTalks? The TypeTalks organizers scored a beautiful location for the day. Brno is the second-largest city in the Czech Republic, about three hours southeast of Prague, and two and a half hours north of Vienna.
For the premier TypeTalks symposium in Brno, six speakers were invited to present their work, or their research. As a last-minute, seventh speaker, attendee Dan Rhatigan was added onto the schedule in an early-morning burst of awesomeness. The dialects of handwriting in type design Rob Keller: Font technology is crazy! A contemporary view on the relationship of lettering and type [Lunch break] Dan Reynolds:
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Interview With Khajag Apelian: Arek was my first original typeface, and it was in Armenian, which is why it is very dear to me. I later developed a Latin counterpart in order to make it available through Rosetta, a multi-script type foundry.
We Found words. 2 Letter Scrabble Words. at; et; it; ta; ti; to; ut; 3 Letter Scrabble Words. act; aft; ait; alt; ant; apt; art; ate.
Discover how designers play with dimension and space to create mindbending optical illusions that leap off the page—and wall, and screen. Enter your email to download this article from HOW magazine. Tim Newcomb October 21, October. Such a powerful month in Major League Baseball. Such a powerful word. October means playoffs we have a Mr. October in Reggie Jackson, after all.
Explore Quote Typography and more!
January 23, iStock Pi Day isn’t until March 14, but there’s another pie-centric holiday on the calendar. Pie Day falls on January 23, and we’re sharing our picks for the best pie in every state. Greensboro, Alabama This trendy community space serves fried chicken salads and various wraps and paninis, but the highlight are their pies, made with exceptionally buttery crusts. Have a slice of coconut cream or chocolate chess pie while you enjoy good conversation and a friendly vibe.
And if you have a hankering for a real taste of home, chef Seaborn Whatley says they’ll even try to duplicate an old family favorite if you happen to have your grandmother’s recipe book on hand. Anchorage, Alaska The Bear Tooth Theatrepub is more than a dine-in movie theater—it’s also a restaurant, draft brewery, and concert venue all in one.
We met the Amsterdam-based expert for bilingual typographic research and design—whose project Typographic Matchmaking in the City is featured in Gestalten’s Arabesque 2: Graphic Design from the Arab World and Persia—to talk about the relationships between Arab and Latin typography.
Working with Tehrani billboard painters, Shahbazi is painting a mural directly onto the eighty-meter-long wall of the gallery. The new work derives from and refers to an accompanying series of about thirty color and black-and-white photographs, displayed in typical salon-style, of portraits of young women, landscapes, and still lifes, in varying scales. Courtesy Candlestar London Collected Memories: With an ambitious UK debut, the show is bound to, at the very least, provide a taste of the diversity of expression coming out of Iran today.
Monir Farmanfarmaian, Heartache No. My Tribal Journeys, , mixed media. In addition, the gallery has commissioned the eighty-six-year-old artist to create a wall installation for the exhibition. Carey Young, from the Body Techniques series, detail, , C-type photograph. Applications of fonts on everyday objects, courtesy Marieke Bijster Exhibition organizers Mediamatic are attempting, for better or worse, to imagine a future Arab Netherlands: Palestine Birzeit University and other venues Symposium October 21—24 Exhibitions, projects The constant battle against biennial fatigue shifts into a new gear in Palestine in October with the staging of a year-long series of workshops, projects, and architectural interventions aimed at bringing together international and local practitioners and circumventing boundaries within Palestine.
The architectural activities feature similarly smart thinkers: A series of stark canvases, painted on seven consecutive days at the beginning of , the paintings have toured kindergartens and schools in Madagascar, Sydney, Bhutan, Abidjan, Istanbul, Shanghai, Reykjavik, and beyond.
BRIEF HISTORY OF THE TRADITIONAL ARABIC TYPE.
I completely redrew the character set, polishing the letter shapes, increasing the x-height, shortening the ascenders and descenders, increasing the consistency and improving the overall quality of the design. Some letters such as the a, c, e, g, f and s are markedly different from their original designs. During the second half of the 16th century the city was one of the most important and renowned centers of European print culture, thanks to John Calvin and the Protestant Reformation.
Nor was the relationship purely commercial. The result is a charismatic typeface with a unique flavour, with one foot in the past and one foot in the present.
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In this copy the decorative colored initials were hand-lettered separately by a scribe. Typography, type-founding and typeface design began as closely related crafts in mid th-century Europe with the introduction of movable type printing at the junction of the medieval era and the Renaissance. The scribal letter known as textur or textualis, produced by the strong gothic spirit of blackletter from the hands of German area scribes, served as the model for the first text types.
A second typeface of about characters designed for the line Bible c. Bastarda , fraktur , rotunda , and Schwabacher. The rapid spread of movable type printing across Europe produced additional Gothic, half-Gothic and Gothic-to-Roman transitional types. The half-Gothic Rotunda type of Erhard Ratdolt c. The early printers of Spain were Germans who began by printing in up-to-date roman types but soon gave these up and adopted Gothic typefaces based on the letterforms of Spanish manuscripts.
Valencia in the Kingdom of Aragon was the location of the first press, established in From there printers moved to other cities to set up presses.
Khajag Apelian: Type Design Is Not Only About Drawing Letters
Tickets now on sale. Arek was my first original typeface, and it was in Armenian, which is why it is very dear to me. I later developed a Latin counterpart in order to make it available through Rosetta, a multi-script type foundry. In this project, five teams were commissioned to explore bilingual type for usage in public spaces.
Arek is a dual-script Latin-Armenian typeface family in four weights, with matching cursive styles. How did you start designing type?
Port Manteaux churns out silly new words when you feed it an idea or two. Enter a word (or two) above and you’ll get back a bunch of portmanteaux created by jamming together words that are conceptually related to your inputs.. For example, enter “giraffe” and you’ll get .
The story of the assassinated Moroccan leader was related in the book. Mehdi ordered me to sit down as he stood all the time: He was conscious of his short stature and felt more comfortable with people as tall as he was. Ben Barka was the math teacher of prince Hassan II since and had convinced the monarch Mohamed 5 to open the public schools to girls in Via phone calls, this leader Ben Barka teleguided armed groups disseminated all over the country.
The chief of police was at his order, same as most directors in public institutions and most dailies. When in public political positions, Mahdi kept 20 phone lines constantly active: He would communicate with 3 persons simultaneously, dictate an editorial, follow-up on the activities of his party, and receive information on European political parties, all virtually in the same time.
For years, art directors, graphic designers and the writers and editors who occasionally poke their noses into the debate have been engaged in huge philosophical brawls over tiny technical details. For ages, they have been willing to throw down over the merits of serif versus sans-serif typefaces – whether or not letters should carry little decorative flourishes, or serifs, like the rightward kick on a lowercase a, the leftward angle on a lowercase d or the miniscule hat that caps a capital letter such as J.
Some find serif typefaces timeless, elegant and easy on the eyes for sustained reading. Others find sans-serif typefaces fresher, breezier and more contemporary. One typeface designer says a serif font is a classy, well-dressed woman while a sans-serif font is a tragic fashion victim.
She is author of Arabic Typography: a comprehensive sourcebook (Saqi Books, London, ), Experimental Arabic Type (Saatchi & Saatchi, Dubai, ), Typographic Matchmaking (BIS Publishers, Amsterdam ), Typographic Matchmaking in the City (Khatt Books, Amsterdam ), and Arabic Type Design for Beginners (Khatt Books, Amsterdam ), and.
Previous Next We are surrounded by letters; they become part of our landscape and our very lives. Typography is an everyday, widely used thing. We all possess our own culture and respond in the appropriate way to its various forms and styles. A trend in recent years has been to treat cities, regions or countries as a product, turning them into brands. To do so, they adopt the same marketing tools as any other brand, such as a logo or their own typography. We are surrounded by letters; they become part of our landscape and our very lives.